Aritra Roy
Creative director“I draw light first. Always.”
I started Siliguri Event because the first wedding I designed — for my own sister — felt like a film I wanted to keep watching. Every event since has been an attempt to make the next one feel that way.
Aritra Roy
Founder · Creative director
Before a single flower is hung we have already drawn the light. Daylight ceremonies are designed at dawn; evening rooms are designed in the dark. The photograph is the brief.
Three small installations beat one large one. We let the architecture and the people in the room carry the foreground; we work in the middle distance.
Every plan is reviewed with the elders. We seat them first; the cushion choices, the height of the chowki, the side they take photographs from — all settled before the florist arrives.
We always leave a single thing behind for the family — a brass piece, a hand-painted invite. The decor leaves; the room remembers.
Started in a one-room rental in Darjeeling More. First event was my sister's mehendi.

Three days in the Dooars. Marigold strung between bamboo and tea bushes.

First public pandal design — a Bengali-Bengali jugalbandi.

First feature; the team grew from 4 to 9 in the next six months.

A bridal mandap on the edge of Mahananda Park. We knew the room before the family arrived.

Still in Siliguri. Still designing dawn ceremonies in clay. Still leaving a single brass piece behind.

“I draw light first. Always.”
“Marigold strings are an anchor, not a decoration.”
“I design at 3200K. The rest is colour theory.”
“If the brass is on time, the room is on time.”
“Plan for the elders. Everyone else follows.”
“Shehnai or silence. Never both.”
Darjeeling More, Siliguri · weekdays 11–7. Tea and a moodboard, usually in that order.